

The Apollo console is a virtual representation of the inputs of the hardware.
DANGEROUS DBOX PLUS PRO
I think the key phrase from Stephen's question is this: "how do I configure Pro Tools (I/O I am guessing) to have the outputs for both recording AND mixing to be sent to the 2 bus" I'll try and describe a basic connection idea for this lovely rig: Any help would be much appreciated.Thank you so much! Stephen I am about ready to sell half the stuff out of frustration.


DANGEROUS DBOX PLUS MANUALS
I have tried video tutorials, manuals and emails to the companies which have just left me more frustrated. I really do not want to use the Apollo Console as it seems it’s just an extra step, but how do I configure Pro Tools (I/O I am guessing) to have the outputs for both recording AND mixing to be sent to the 2 bus+ and how do I get the input back from the 2 bus+ to print the session? I take it in this case I would not need a Stereo Master Fader in the session? So far it seems the only thing I have been able to do correctly is bypass the monitoring section from the Apollo itself, so my audio is coming strictly from the Dangerous Music ST (Yay for small victories). I also have a Dangerous Music 2Bus + and Monitor ST. I also have an Audient 880 and 2 Neve 1073lb's for preamps. I recently purchased an Apollo 16 Thunderbolt 2. In podcast 210 community member Stephen Moniz asked for our advice about the best way to set up Pro Tools with an Apollo 16 with a Dangerous Music 2Bus+ and Monitor ST and having discussed it we decided to ask Fab Dupont from PureMix for his advice on what Stephen should do.
